Why The Man in Black’s music, impact endures

Johnny Cash, aka ‘The Man in Black’

In 1968, my parents went to see a concert by Johnny Cash while we were living as a military family on the island of Okinawa. That should tell you how big of a star the Man in Black was in the ’60s, because my parents never, ever went to a concert unless it was Southern Gospel like the Gaithers.

Cash was an Arkansas native, as were my parents, so there was a connection. We were among the nearly 100,000 American military personnel and dependents living on the island that year at the height of the Vietnam war.

Johnny’s concert for military personnel on Okinawa occurred the same year that my dad bought the ‘Johnny Cash Live at Folsom Prison’ album, which got a lot of play in our house over the years.

Maybe because I heard the album so often I became a fan of Johnny Cash, although  my knowledge of his song catalog from among his more than 100(!) albums doesn’t go very deep.

My friend Ed Godfrey can offer much more insight into Johnny’s music.

Johnny Cash began as sort of a rockabilly star in the 1950s, recording at the famous Sun Studios in Memphis. Then he became a genuine pop culture phenomenon in the 1960s when a wider audience embraced his music.

In fact, he starred in his own network TV show in the late ’60s and early ’70s, and recorded popular duets with his wife, June Carter Cash, Bob Dylan, Tom Petty and many others.

If you saw the movie “Walk the Line,” you know that Cash had some well documented run-ins with the law in the ’60s because of a drug addiction. He revived his career with help of June Carter and the release of the Live at Folsom Prison album.

His star power dimmed a bit in the ’80s and ’90s, although it seems to me the impact and legend of Johnny Cash has only grown since his 2003 death.

I think his legend endures because he was the complete package, great music, songwriter, deep bass vocals, the familiar guitar licks, the hair and, most of all, the courage to stand up for those rejected by society when that was far from the norm among entertainers.

Johnny Cash made it a point to vocally support for Native Americans, the imprisoned, the poor, and the oppressed. He said that was why he always wore black when performing.

Listen to his song, “Man in Black,” to gain some perspective.

In his final years, with his health waning, Johnny Cash covered other artists’ songs that I think are some of his best, even if he was frail and his voice had lost a lot of its force. My favorites are Hurt, and, especially, Further on Up the Road, an awesome cover of a Bruce Springsteen song.

Anyway, I decided to make a list of my top 10 favorite Johnny Cash recordings, whether written by him or covers of other artists. I’ve also invited Ed Godfrey to weigh in with his list, too.

Here are my top 10 songs recorded by Johnny Cash:

No. 1 — Folsom Prison Blues
A song he wrote in the early 1950s while still in the Air Force, it became probably his more popular recording and his signature song.

No. 2 — Ring of Fire
The horns, the imagery … a great song that was co-written by June Carter Cash before she married Johnny. Must have been a hot romance!

No. 3 — I Walk the Line
Cash’s deep bass voice, the guitar intro, Johnny’s hum at the beginning of each chorus, the pledge of fidelity — I love it all. Of course, the Gregory Peck movie based off this song was all about infidelity. Oh, the irony.

No. 4 — Sunday Morning Coming Down
I can just see a lonely, broke alcoholic ambling along on a big city sidewalk on a Sunday morning, longing for a life in this awesome Kris Kristofferson cover.

No. 5 — Further on Up the Road
Another superb cover, this one written by Bruce Springsteen. Ed says that he’s adding it to his funeral playlist. Me, too.

No. 6 — A Boy Named Sue
My dad and I had a great time listening to this song together back in the ’60s. Written by Shel Silverstein.

No. 7 — Girl from the North Country
A great song of lost love, and wonderful duet with Bob Dylan, the song’s author.

No. 8 — Jackson
Fun duet by Johnny and June Carter Cash; this got lots of airplay over the years.

No. 9 — Hurt
A late-in-life cover of a Nine Inch Nails song, Great guitar, piano that backed Johnny’s delivery.

No. 10 — The Man Comes Around
Johnny wrote this song and recorded it one year before his death. It’s obvious that he saw the end coming

BONUS SONGS

Don’t take your guns to town — Johnny had a way of telling a sad story; this one fits right in.

Five Feet High and Rising — Might not be everyone’s favorite, but I’ve liked this song for decades. I can just see Johnny as a kid with his family panicked over water that’s flooding the family’s hardscrabble acres.

Now, I present the Johnny Cash top 10 list from Ed Godfrey that you should really respect:

No. 1 – Sunday Morning Coming Down
When Cash first performed this on his TV show, network executives asked him not to sing the lyric “wishing I was stoned.” Cash sang it just as Kris Kristofferson wrote it anyway. I guess the network executives had no problem with having a beer for breakfast and one more for dessert.

No. 2 – Cocaine Blues
Cash’s version of this song on his “Live From Folsom Prison” album is just fantastic.

No. 3 – Ring of Fire
Cash said the idea to add Mexican trumpets to June Carter’s and Merle Kilgore’s lyrics came to him in a dream.

No. 4 – Unchained
Unchained is a song on Cash’s album by the same name produced by Rick Rubin. Their collaboration caused a resurgence of Cash’s career in the ’90s. Unchained is an album of covers and my favorite Cash album, even eclipsing “Live From Folsom Prison.” I have left instructions with my family to have Unchained played at my funeral.

No. 5 – I Walk The Line
Cash wrote the song as a promise of fidelity to his first wife. That didn’t work out, but the song is still great.

No. 6 – Flesh And Blood
I love the details in the lyrics of this song. It begins, “Beside a singin’ mountain stream, where the willow grew, where the silver leaf of maple, sparkled in the mornin’ dew.” Then in the next verse after the chorus, “I leaned against a bark of birch, and I breathed the honey dew, I saw a north-bound flock of geese, against a sky of baby blue.” I close my eyes and picture myself there.

No. 7 – Meet Me In Heaven
Another song off the Unchained album that I have asked to be played at my funeral.

No. 8 – Hurt
I am not a big fan of music videos, but this song is actually better and more powerful with the video. It was another collaboration with Rubin.

No. 9 – Folsom Prison Blues
I mean, this song has to be included, right? I can’t leave off Folsom Prison Blues on a list of best Johnny Cash songs.

No. 10 – I’ve Been Everywhere
Did I mention how much I like the Unchained album? This is another song off that album. Hank Snow first adapted it from a song originally written with Australian place names, but nobody performs it better than Cash.

Honorable Mentions: God’s Gonna Cut You Down and The Kneeling Drunkard’s Plea. Two more songs that came from the six albums Cash made with Rubin. The Kneeling Drunkard’s Plea also is on the Unchained album.

BONUS CONTENT FROM KENT TAYLOR:

You know Jim, I’ve been thinking about your Johnny Cash article since you posted it. I also grew up listening to my parent’s Johnny Cash vinyls. I’d have to put A Boy Named Sue at the top because it reminds me of my dad every time I hear it. He loved that song.

I thought that, as a kid, I had heard every JC song ever sung. However, it wasn’t until the past 10-15 years or so that I’ve heard songs I’d never heard before. One that I have grown fond of is Chicken in Black. If you’ve not heard it, I’d encourage you to listen to it.

SPONSORED LINK:  I purchased this Vekkia Rechargeable LED Neck Reading Light on Amazon, a book light for reading in bed, not knowing what to expect.  I bought it so I could read in bed without disturbing my wife. Turns out, it’s perfect, because it shapes around your neck, with two LED lights that you can adjust to shine  onto your book page.  Check it out!  https://amzn.to/3IPaDF4

Johnny Cash early in his career

Technology evolves, but Paul McCartney — and his music — live on

A turntable console with reel-to-reel tape much like my parents had in the 1960s.

When the Paul-is-Dead rumors began floating around in the late 1960s, I was devastated. There was evidence everywhere that Paul McCartney had died in a car crash and The Beatles went on with a look-alike substitute.

I was 16 in 1969 and read — and clipped — every article I could find that shared evidence of Paul’s demise. For instance, there was the hand over Paul’s head on the Sgt. Pepper’s Lonely Hearts Club album that symbolized death. And the whole cover resembled a funeral gathering.

There was more. Paul was dressed as a walrus on the Magical Mystery Tour poster, said to symbolize death, and a line from the song Glass Onion says “here’s another clue for you all, the walrus was Paul.”

But the clue that sealed it for me was the rumor that if you played Revolution 9 backward you could hear the words “turn me on dead man” and the sounds of a car crash.

My family owned a giant stereo console that had both a turntable and a reel-to-reel tape player. So, I played Revolution 9 from the White Album on the turntable and recorded it on the reel-to-reel.

When I turned the tape backward and played it I heard those terrifying words. “Turn me on dead man.”  And the sounds of what could be a car crash.

That clinched it for me, at least for the next couple of years until it became evident to me that Paul McCartney was indeed, Paul McCartney.

I’ve written all of this not to show how gullible I was as a teenager; rather to talk about technology and what we had then and what we have today.

In the late 1960s, our family had the latest and greatest in the giant console with the turntable and the reel-to-reel.

That’s how we rolled in 1969.

Vinyl records, both 33 rpm long play albums and 45 rpm discs that played a single song each on front and back, were as common then as, well, iPhones today.

Everyone I knew had a record player or two in their homes. My sister and I had a little portable record player that we would take out into the carport and play our favorite singles on.

When I was a sophomore in high school, I took all the money I had saved up and bought a portable stereo turntable at Kmart that served me well for years.

But advances in technology made turntables obsolete in the early 1970s as 8-track tape players became everyone’s obsession. I installed a cheap Kraco 8-track in my car, which seemed to ruin as many tapes as it successfully played.

Then came cassette tape players that were much smaller — and dependable — than 8 tracks.  But analog taped recordings didn’t have much of a future, because they gave way to CDs — compact discs — in the 1980s.

I remember the frustration of my dad in the ’80s when he had to buy a CD player because it had become the technology on which most music was recorded and played.

“They keep changing the formats just so we will have to spend money to buy something new,” he told me.

But time advanced as did technology.

MP3 players began to emerge in the late 1990s replacing CDs and making music much more portable. And in 2001, Apple Inc. debuted the groundbreaking iPod, which CEO Steve Jobs famously said allowed you to carry “1,000 songs in your pocket.”

So, here we are in 2025.

Today we have massive music services like the iTunes Store and Spotify that allow us to hear virtually any song ever recorded at any time.

And technology advances continue to make yesterday’s formats obsolete.  The old console turntable and reel-to-reel tape player my parents owned was probably sent to a landfill decades ago.

But some things remain. The memories of chasing down Paul-is-Dead clues on that big old console.  Hearing my dad — who passed on in 2012 — complain about changing technology.

And Paul McCartney — the real Paul McCartney — endures. As of July 7, 2025, he’s as alive as he was in 1969.  I continue to listen to his music, but now in a digital format that reaches my ears through a pair of AirPods Pro 2.

That’s how we roll in 2025.

BONUS CONTENT
So, what’s next in how music is recorded and enjoyed? I’ve read a lot about how future music will be made by artificial intelligence, but what I’ve heard of it so far lacks the creativity of human song writers and performers. I’ll take humans any day.

I asked ChatGPT what it sees for the future of music, and this is how it answered:

1. AI and Generative Music

  • AI tools can now compose, produce, and even perform.
  • Personalized or adaptive soundtracks for games, workouts, moods.

2. Immersive & Spatial Audio

  • Formats like Dolby Atmos Music and 360 Reality Audio offer 3D sound experiences.
  • Becoming popular in streaming and VR/AR contexts.

3. Blockchain & NFTs

  • Exploring decentralized ownership, royalty tracking, and digital collectibles.

4. Holographic & Virtual Performances

  • Digital twins of artists (dead or alive) performing live.
  • Integration into virtual worlds and the metaverse.

5. Brain-Computer Interfaces (BCI)

  • Experimental: Listening to or composing music via brainwaves.
  • Potential for direct neural engagement with music.